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Grupo Pilon: Leite Quente Funaná de Cabo Verde

by Grupo Pilon

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    Product Photography by Janto Djassi / Picture Me Different

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Longi Di Bo 06:13
Rabes 04:35
Txada Liton 06:28
Liberdadi 04:28


At home, in the islands of Cabo Verde, there was grog, or grogu, a strong sugarcane moonshine not dissimilar to Colombian aguardiente, copiously consumed at Funaná parties.

In the diaspora, in Europe, there was leite quente (hot milk).

“I can still remember the taste of the first leite quente I drank in Lisbon,” says Antonino Furtado Gomes, Pilon’s drummer and current band leader.

Synthesize the Soul, Ostinato Records’ second compilation, revealed chapter one of the Cabo Verde cultural story in Europe, zooming in on visionaries like Paulino Vieira who made Lisbon the headquarters spearheading the musical revolution taking place within Cape Verdean emigre communities across Europe in the 1980s. Musicians from across the diaspora would eagerly travel to the Portuguese capital to record.

Grupo Pilon represents the second chapter of the Krioulu diaspora story. In smaller pockets, second generation musicians were independently contributing to one of the most lush periods of cultural innovation by immigrants in Europe. In Luxembourg, in 1986, a group of teenagers formed the largely unknown (outside of Cape Verdean circles) but consistently brilliant band named after the blunt instrument used in the islands to pound corn for Cabo Verde's national dish, cachupa.

With only five members, Pilon combined searing estilo Krioulu drumming and the hybrid ColaZouk style with blissful synth work and rugged guitar licks, creating a stripped-down, addictive sound that masterfully straddled two worlds, a seductive electro-Funaná carnival born from the first few sips of hot milk.

The band drew from the inspiring political changes of the day: the release of Nelson Mandela in South Africa and the fall of the Berlin Wall. The right to democracy became a constant theme in Pilon’s songs.

With access to better opportunities than their parents’ generation, Pilon’s roster were part time musicians. Music was not part of their academic upbringing nor a full-time gig. Their rhythm and style were wonderfully imperfect, made out of rawer skills and inexperience. Pilon did not follow the templates established by revered Cabo Verde bands. Keyboard player Emilio Borges played off beat and the band preferred arranging their songs to start from the beat normally heard in the middle of a composition rather than the beginning. These two elements made Pilon’s music simple, unique, and inimitable.

From 1997 to 2015, a lack of concerts and professional musicians proved near fatal. Today, Antonino and what remain of the original quintet are slowly piecing back together the puzzle of their once mighty outfit from an unlikely pocket of Europe. In its heyday in the 90s, Pilon serenaded audiences in Paris, Lyon, Marseille, Lisbon, Rotterdam and Frankfurt, securing their reputation as a respected and unifying cultural force.

This LP, drawing from the six most powerful songs from Pilon’s three-album catalog, is the serving of still fresh leite quente to spice the summer and maybe even fuel the next generation of musicians in the Krioulu corners of Europe.

Pilon are back in the studio refining their sound to revive their journey that looked all but lost to the world's ears two decades ago.


released June 14, 2019

Produced by Ostinato Records
Mastering & Lacquer by The Carvery
Design by Pete 'Piwi' White
Licensing courtesy of Antonino Furtado Gomes
Interview translations & transcriptions by Alexandre Tondina


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